Wednesday, April 25, 2018

Pom Poko (The Racoon War, Isao Takahata, 1994)



Tribute to Isao Takahata (1935 - 2018)

Guerilla warfare

Isao Takahata's Pom Poko (The Raccoon War, 1994) begins with a little song where children call on the tanuki (Japanese raccoon dogs) to come play and the tanuki reply that they can't--they're too busy eating pickled plums. The film goes on to outline the dogs' plight: land developers want to convert the forest of Tama Hills into suburbs--the same forest the tanukis have lived in for countless generations.

Thursday, April 19, 2018

Professor Marston and the Wonder Women (Angela Robinson)

Origins

Patty Jenkins' Wonder Woman makes no reference at all to the subject--partly I suspect because the multi-million dollar production is meant to earn that crucial PG-13 rating pulling in as many kids as permissible and still have Warner Brothers' DC Comics-style dark edgy feel. Which means no mention of the 'B' word (rhymes with 'suffrage') or the 'L' word (rhymes with 'primrose'--if you like 'thespian'), definitely no scenes with Gal Gadot uttering the superheroine's most infamous exclamation: "Suffering Sappho!" 

Enter Angela Robinson with golden lasso in one hand and Amazonian sword in the other slashing through the bull: Wonder Woman was the product of William Moulton Marston, drawing inspiration from his wife Elizabeth and student Olive Byrne (daughter of Ethel Byrne a famous feminist). He wasn't shy about his intentions in creating the character either: "Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world."

Thursday, April 12, 2018

Ready Player One (Steven Spielberg)


Wargames

Adapted from Ernest Cline's bestseller, Ready Player One is Steven Spielberg's return to form as entertainer, in my book his finest incarnation. Which when you think about it isn't saying a lot, but is saying something. 

Thursday, April 05, 2018

Insiang (Lino Brocka, 1976)

Insiang: one unhappy family 

(WARNING: Plot twists and story discussed in explicit detail)

Lino Brocka opens Insiang (1976) with the closeup of a pig stabbed in the throat, blood pouring as if out of a spigot. We see row upon row of headless carcasses, bellies split open from neck to crotch, pink skin not unlike a human corpse. The film's cinematographer, the great Conrado Baltazar, captures the haze heat stink and noise of a busy slaughterhouse like no one else before or since.

An amazing beginning, with image foreshadowing the slaughter to come. The image is also a challenge: "Violence on flesh is nothing compared to the violence that can be inflicted on heart and mind." The slaughterhouse scene strikes a particular note, its message loud and clear: "the worst is yet to come." 

Thursday, March 29, 2018

Annihilation (Alex Garland)


Affliction

Meteor flashes across the sky strikes base of lighthouse; Special Forces husband presents himself to wife after an absence of two years; heavily armed scientific expedition walks into the light-and-time distorting perimeter of a jungle afflicted by a mysterious alien force, the twelfth such effort after the previous eleven (save for one notable survivor--the aforementioned Special Forces soldier) failed to return. 

Ladies and gentlemen welcome to Alex Garland's second feature--a loose adaptation of Jeff VanderMeer's novel that is if anything more bizarre and ruinously ambitious than his first (the wicked sexy Ex Machina).

Thursday, March 22, 2018

A Wrinkle in Time (Ava DuVernay)

Ironed

Word is out: Ava DuVernay's adaptation of Madeleine L'Engle's classic piece of children's literature has provoked critically mixed reviews, has reportedly underperformed at the box office. The Disney magic, so spectacularly validated with Ryan Coogler's critically and commercially beloved Black Panther seems with this production to have stumbled, big-time. 

The movie itself? Well--

Thursday, March 08, 2018

Lady Bird (Greta Gerwig)

Catholic school girls in trouble

Have to admit that taking on actress-turned-filmmaker Greta Gerwig's second feature gave me pause. Not my favorite genre (the bildungsroman) nor was the milieu familiar (Sacramento, California)--tempted to throw up my hands say 'not my cup of tea!' and leave it at that.

Monday, March 05, 2018

Best of 2017






Best of 2017

What I've seen of 2017 with maybe three exceptions was good not great--which possibly reflects more on me and my viewing efforts  than on the year--but who can refrain from making year-end lists? I can't. I didn't.

Sunday, March 04, 2018

The Post (Steven Spielberg)

Dies in darkness

Steven Spielberg's latest film may be--thanks to the timing and historical context in which it appears--the most important of his career.

Thursday, March 01, 2018

The Shape of Water (Guillermo del Toro)


The drowned world

Guillermo del Toro's latest begins with a world already underwater--fish fluttering down a carpeted hallway, chairs and tables spinning in slow motion, a lamp and alarm clock settling gradually down to arrange themselves on a side table while the princess--head wrapped in a sleep mask--sinks into her couch. Then the alarm rings jerking Elisa Esposito (Sally Hawkins) out of her gentle greenlit dream. 

Thursday, February 22, 2018

Thursday, February 15, 2018

Magnifico (2003, Maryo J. de los Reyes)



Belated tribute to filmmaker Maryo J. de los Reyes: thoughts on one of his most highly regarded works

It's a wonderful life
 
Maryo J. de los Reyes' Magnifico is something fairly new in recent Philippine cinema: a wholesome family picture that's actually quite good. 

Thursday, February 08, 2018

Call Me by Your Name (Luca Guadagnino)

Sunshine

And what of Luca Guadagnino's Call Me by Your Name, his adaptation of Andre Aciman's novel from a screenplay by James Ivory? I mean: two beautiful men, an Italian villa, a sundrenched summer in Lombardy, Italy--what's not to like?

Thursday, February 01, 2018

Downsizing (Alexander Payne)




Small scale

Alexander Payne's new film Downsizing is a slyer comic take on Jonathan Swift's Gulliver's Travels than the Jack Black travesty some seven years back--is perhaps the best adaptation of this classic fantasy satire to date.

Thursday, January 25, 2018

A Ghost Story (David Lowery)


Comin around again

Not a fan of David Lowery's Pete's Dragon--in retrospect the picture probably had too much Disney in it and not enough Lowery to suit me. 

Heard good things about his latest though, so--thanks to the various recommendations, the pull of the intriguingly elemental title, the sparsely beautiful publicity stills (mostly involving a single slightly creepy figure in white sheet gazing at an empty room)--I decided to take a look.

Thursday, January 11, 2018

The Death of Louis XIV


Long live the

Albert Serra's The Death of Louis XIV at first glance shares the status of most living royalties in this more presidential more prime-ministerial world: it feels oddly anachronistic; it appears to hold little relevance to our lives; and very little is said or actually happens in its relatively brief and quiet reign, beyond the eponymous event. It's also to my mind one of the most gorgeous-looking--and funniest--films I've seen all year.

Thursday, January 04, 2018

Dr. Who Christmas Special: Twice Upon a Time



Double jeopardy

(WARNING: plot twists throughout new Who's timeline discussed in close detail!)

It's the thirteenth Doctor Who Christmas Special; it's the Twelfth Doctor meeting the First (or as he prefers to put it the 'original') Doctor; it's Peter Capaldi's final bow; it's Steve Moffat's last word on the subject.