Bonsai!
Heard it said of Paul Schrader's Master Gardener that it's his umpteenth retelling of the God's Lonely Man trope, starting from Taxi Driver (1976) to three of his last four films including First Reformed and The Card Counter, but I disagree; those films ended with redemption or rebirth or some form of baptism as climax, either through love, or punishment, or blood. This film I think takes up the narrative years later, a 'what happens after?' question hanging in the air.


