24/7 (The Sandman, Jamie Childs) Television

Diner time

So now we have it: a fairly big-budgeted adaptation of Neil Gaiman's celebrated fantasy series. Beautifully cast, ingeniously reworked, adequately directed.

In the Heights (Jon M. Chu, 2021)

For your Heights only

Lin-Manuel Miranda's In the Heights which he started working on in college and managed to stage on Broadway some nine years later has finally made it to the big screen. It's handsomely produced with a $55 million budget, shot on location in Washington Heights, and features a strikingly handsome cast of mostly young actors and a handful of recognizable veteran talents.

Trese (animated TV series)

Super natural

Budjette Tan and Kajo Baldisimo's supernatural horror comic Trese (Thirteen) has finally been realized on the small screen and by Netflix no less--which is a bit of a mixed blessing.

I'm Thinking of Ending Things (Charlie Kaufman, 2020)

I'm thinking of rending things

Charlie Kaufman's latest, a reasonably close adaptation of Iain Reid's novel, may provoke the desire to tear the Netflix-platformed film--or anything handy within reach for that matter--to little bits. It's that polarizing, I think.

Atlantics (Atlantique, Mati Diop, 2019)

Sea of love

I don't think there's much to uncover underneath the surface of Mati Diop's feature debut Atlantics (Atlantique, 2019) now available on Netflix. It's a love story--young girl Ada (Mame Bineta Sane) in love with poor boy Souleiman (Ibrahim Traore) but is promised to wealthy Omar (Babacar Sylla)--and as with all such stories the two lovers pine for each other for the duration of the film. Predictable simple trite--and yet and yet and yet

Eerie (Mikhail Red, 2018)

Nun other

At its best Mikhail Red's Eerie is exactly that: eerie. The son of pioneering indie filmmaker Raymond Red has I'd say inherited his father's eye for editing composition lighting, fashioning films that are (whatever else you might say about them) strikingly visual, with accompanying social commentary. 

The Other Side of the Wind (Orson Welles, 2018)

The immortal story

Orson Welles died in October, 1985; his latest film The Other Side of the Wind was released in November, 2018.

Daredevil Season 2 (Doug Petrie, Marco Ramirez)

Punishing

(Warning: story and plot twists of the Netflix series discussed in detail)

Was Daredevil Season 2 an improvement over the first? Well yes and no.

Filipino films on DVD (updated 5/9/08)

Poster for The Fatima Buen Story (Mario O'Hara, 1994)

Maybe I need to backtrack, and mention where all the Filipino films I keep writing about can be found. Please note that I will be updating this particular post from time to time, and will provide a permanent link to it on my sidebar.

On recommendations on Filipino films, I posted a list of 13 favorites here:

Thirteen Important Filipino Films

with the added warning that anyone who began writing about Filipino films from the '80s onwards struggles against the deterioration of film prints, even of films from the '80s (I note that in the article); in fact our earliest available prints come only from 1939. We suffering from an increasingly serious state of amnesia, in effect, with regards to our film heritage.

I rewrote the article, modifying the list some, here:

Twelve Great Filipino Films

An article on one of the cinema's best artists, Mike de Leon, here:

The thin line between genius and sanity

As for available copies of the cinema's best-known filmmaker Lino Brocka's best known work Maynila sa Mga Kukong Liwanag (Manila in the Claws of Neon, 1975); I remember seeing VHS copies in New York's video stores, presumably subtitled, and for a time kabayancentral offered copies--which has since vanished. A DVD is being planned, but that's in the future.

Two Brocka films can be found at Facets in Chicago; Orapronobis (Fight for Us, 1989), and Macho Dancer (1988). I wouldn't know if they have subtitles or not.

Recent Filipino films I recommended can be found on VCD or even DVD format here:

http://www.regalfilms.com/

Search for titles like Mario O'Hara's Babae sa Bubungang Lata (Woman on a Tin Roof), and Pangarap ng Puso (Demons); Peque Gallaga's erotic noir Scorpio Nights; Lav Diaz's science-fictional Hesus Rebolusyonaryo (Jesus the Revolutionary). All, unfortunately unsubtitled.

Kabayan Central boasts of a selection of classic films from their
LVN Films catalog and Sampaguita Pictures catalog. They also have more recent pictures, including Mike de Leon's Kung Mangarap Ka't Magising and Bayaning Third World (Third World Hero) and a selection from Viva Films (Tikoy Aguiluz's erotic noir thriller Segurista (Dead Sure), and his independently produced historical verite piece Rizal sa Dapitan--in which, full disclosure, I have story and dialogue credits). Again, most probably unsubtitled.

The website also offers a few worthwhile films with English subtitles: Mario O'Hara's Babae sa Breakwater (Woman of the Breakwater, the first Filipino feature film to go to Cannes in fifteen years), Tikoy Aguiluz's Biyaheng Langit (Paradise Express); Lino Brocka's Macho Dancer (not his very best, but quite good); Ishmael Bernal's Relasyon (The Affair) and Manila By Night (both among his best; Manila in particular being his masterpiece, in an unfortunately not very good transfer); Jeffrey Jeturian's Tuhog (Larger Than Life--note: I know Jeturian's film has a subtitled DVD; I don't know if the website offers that DVD.

And I should mention a new company, Cinefilipino, dedicated to distributing Unitel films and Filipino classics in the United States, whose DVD releases had been reviewed recently by the New York Times' Dave Kehr. Their titles--all subtitled, though I can't vouch for the quality of the film transfer--include the aforementioned Manila by Night, Macho Dancer and Relayson, Lino Brocka's Ina, Kapatid, Anak (Mother, Sister, Daughter), plus an intriguing one by Mario O'Hara: The Fatima Buen Story, a true life tabloid story given a gothic flavor by one of the finest filmmakers in the industry.

Another alternative is Cinema One in The Filipino Channel (TFC), which a lot of Filipinos seem to subscribe to; they show almost all the films I've mentioned above (untitled, unfortunately); if you have a friend who has a subscription, he could tape it for you, maybe even do "benshi."

Lastly, while I haven't written about these particular pictures (but I mean to, one of these days), here are a few Gerardo de Leon* films available on DVD:

Terror is a Man

The Blood Drinkers

Blood of the Vampires

Brides of Blood

Mad Doctor of Blood Island

Walls of Hell

I recommend Terror is a Man and Blood of the Vampires. But if you can't take my word for it, read Mark Holcomb of The Village Voice and his take on Gerardo de Leon.

*Correction: Gerardo de Leon never worked for Roger Corman.

Update (1/11/08): 

Kabayan Central lists all available DVDs with English subtitles. Of this list, I recommend Lamberto Avellana's tribal classic Badjao (1957); Maryo J. delos Reyes' youth angst film Bagets (1984); Ishmael Bernal's near-hallucinatory treatise on religious hysteria (Himala (Miracle, 1982)); Brillante Mendoza's 'omnibus' film Kaleldo (Summer Heat, 2006); Mike de Leon's political drama Sister Stella L. (1984); and Auraeus Solito's provincial drama Tuli (2005).

Meantime Cinefilipino has not been idle; it's managed to release bare-bone but nevertheless handsome DVDs of two of Brocka's best works: Insiang (1976), and Tinmbang Ka Ngunit Kulang (You Were Judged and Found Wanting, 1974). They have also released Lino Brocka's gay-man-adopts-angel-child film Ang Tatay Kong Nanay (My Father the Mother, 1978) and omnibus trio of short films Tatlo, Dalawa, Isa (Three, Two, One, 1974).

I've already mentioned their collection of Regal Film classics earlier, though the titles are worth repeating (Manila By Night; Ina, Kapatid, Anak; Relasyon; The Fatima Buen Story).

Most intriguing in Cinefilipino's catalogue are the Sampaguita Classics, films by Mar Torres and Carlos Vander Tolosa, titles I've heard of but never dreamed could ever be available on DVD. I can speak up for Jack 'n Jill at least--it's a delightful comedy, with Lolita Rodriguez as a butch, jeepney-driving Jill and the great comedian Dolphy as a fragile flower of a Jack (or is it the other way around?).

Of Unitel's original productions, I can recommend Mark Meily's green card comedy La Visa Loca (2005); director Maryo J. delos Reyes and writer Michiko Yamamoto's child drama Magnifico (2003); and Solito and Yamamoto's Ang Pagdadalaga ni Maximo Oliveros (The Blossoming of Maximo Oliveros, 2005).

Update (5/9/08)

Mike de Leon's Kakabakaba Ka Ba? (Rough translation--Does Your Heart Beat Faster? 1980) is, of all films, available on DVD! Mike De Leon's one out-and-out comedy isn't the funniest Filipino film ever made, but is easily one of the wittiest, not to mention demented.

And two major Mario O'Hara releases, on VCD! Kastilyong Buhangin (Castle of Sand, 1980) is a commercial vehicle starring acting diva and singer Nora Aunor and stuntman Lito Lapid; accommodating the two lead stars resulted in a film that can only be described as a cross between George Cukor's A Star is Born and Ringo Lam's Prison on Fire.

O'Hara's Bakit Bughaw ang Langit (Why is the Sky Blue? 1981) is O'Hara treading in longtime collaborator Lino Brocka's social realist territory; the results, however, are (I submit) quieter, subtler, more intimate, more intense. Some say this is O'Hara's masterpiece; I don't quite agree, but I think I know where they're coming from. 

I write about Kastilyong Buhangin here and Bakit Bughaw ang Langit here. I cannot recommend them highly enough.