Never had much use for boxoffice figures; never thought the approval of the moviegoing public was all that important, or an indicator of a film's quality, or relative lack of.
Once in a while, though I find myself in the embarrassing position of agreeing with everyone else. In which case I plead pure coincidence, and point to that old adage-- how does it go again? A stopped clock is right twice a day?
Well, maybe not that one. But I do suspect that public opinion is smarter than the critical establishment is willing to admit.
Case in point: Sam Raimi's Oz the Great and Powerful. Critics describe it as not "knowing its own mind," or "visually overcrammed, empty mega-spectacle"-- which is funny, because Raimi has never been known for sticking to one genre, even in his own movies, and was never a believer in visual restraint. The man likes over-the-top comic-book action, and unlike some filmmakers I can think of who can't even do that properly, he is superb at it.
