Showing posts with label David Bordwell. Show all posts
Showing posts with label David Bordwell. Show all posts

Thursday, July 04, 2024

Planet Hong Kong



Cinema of the Overdose

Reading the introduction to David Bordwell’s Planet Hong Kong is like reading a friend’s letter on a rarely seen but fondly remembered common acquaintance. I’ve landed in the old Hong Kong International Airport (not all that terrifying if you’re fond of rollercoasters); I’ve walked down Nathan Road with its countless flashing neons and rushing pedestrians and clacking traffic lights (for the benefit of the visually impaired: slow beat when red, rapid tattoo when green). I’ve seen the Cultural Centre, a graceful hulk of maroon bathroom tiles that always ends up as photo background for every just-married couple to walk out of the Civil Registry. And walking to the back of the Centre, I always pause and take in the view-- the one and only breathtaking panorama of Hong Kong harbor with its choppy waves, toy ferryboats bobbing up and down, glass-and-steel towers raking the bellies of clouds.

Oh and yes I too have eaten in Chungking Mansion. Cheap food, and quite good--recommend the roast duck on rice with hot broth on the side.

Friday, March 01, 2024

David Bordwell (1947 - 2024)

David Bordwell (1947 - 2024)

I remember him in the Hong Kong Film Festival, always at his preferred spot: first row, at the exact center, the screen filling his eyes.
I remember talking to him in between screenings, and on the ferry between Hong Kong and Kowloon: when I mentioned that 30s Hollywood films lost their visual dexterity thanks to the advent of sound he took exception; turns out he was right because he's seen practically every film ever made, or at least more than I ever did.

And while I'm trying to catch the latest and hottest films he's running off to some far-flung theater to catch the screening of a rare Hong Kong or Chinese film I've never heard of. If I was smart I'd have been trailing him.

I remember writing about his book Planet Hong Kong and having fun not just reading it but writing about it.

I still read his blog, an encyclopedic and authoritative resource for detailed analysis on everything from The Dark Knight (he hated it) to Hou Hsiaou Hsien (loved him) to Hunt for Red October (loved it).
I remember helping him access a few Filipino films, and him sending me in turn a copy of his book Poetics of Cinema. He was wonderful company, and an amazing (and amazingly thorough) film writer