Man in a high castle
Hayao Miyazaki's version of Diana Wynne Jones' Howl's Moving Castle lurches out of mysterious fog right at the start of the film-- a gigantically mutated armored version of the Baba Yaga's chicken-leg house, complete with gun-turret eyes and brassplated tongue. The castle bristles with balconies and smokestacks and batwings (Fish fins? Chinese junk sails?); popped out of one side of its head is a little chapel tipped with crucifix; a brick tail (Anus? Rearward penis?) trails between balljointed legs ending in a door lit by a solitary lamp. It's like Miyazaki had spent a month brainstorming ideas for the castle's look got over a dozen good suggestions (Munchausen whale island, steampunk samurai, flying fortress cyborg) struggled to choose among them hit upon an inspired thought: why not use them all?
