The fountainhead
Brady Corbet's The Brutalist is his three-and-a-half hour Vistavision biopic on a Hungarian-born Jewish architect who emigrates to the United States for a fresh start on life-- use the word 'biopic' loosely because Laszlo Toth is nominally based on Hungarian architect Marcel Breuer only Breuer wasn't a Holocaust survivor, didn't scrabble too hard for his living, and didn't fanatically insist on having every detail of his plans exactly carried out; Corbet needed spicier material to work on, hence the changes.
The film is about capitalism, anti-Semitism, racism (kind of), and the immigrant experience in America; it's big in almost every sense of the word, down to the expansive 70 mm frame-- an extraordinary achievement considering this was shot for a slim $9 million.
