Mission: Impossible - The Final Reckoning

Run, Ethan run!

Gotta hand it to Tom Cruise: he took a nifty little TV series about a group of low-key intelligence operatives that work together as a team to solve near-impossible problems and turned it into a gigantic one-man showcase where a star-producer reportedly risks his life again and again on bigger more elaborate stunt setpieces, in gargantuan productions that, y'know, celebrate the beauty of self-sacrifice and teamwork. 

Thunderbolts* (Jake Schreier, 2025)

The B-Team*

*(Not the real Avengers)

So about that asterisk in the title-- (skip this one paragraph if you haven't seen the picture!) turns out it's exactly what it signifies, a mark meant to refer to a footnote or omitted matter, in this case the movie's real name The New Avengers, suggesting several things: 1) this is about the level of humor we're getting here on out, more meta and complicated and not that much funnier, and 2) this movie and the characters in it are placeholders for when the real thing arrives. 

Which is both unfair and totally appropriate. Thunderbolts* takes the classic premise of misfits so misbegotten they can't possibly work together and somehow contrive that they not only do so but also win the day: think the original The Avengers (2012), or (off the top of my head) Stripes (1981), or before that and without superpowers (or even military hardware) The Bad News Bears (1976); think all the way back to one of the earliest misfit teams ever assembled for impossible missions, Akira Kurosawa's 1954 Seven Samurai, with Florence Pugh in the Kambei Shimada role of putative leader and David Harbour in the Kikuchiyo role of big-hearted comic relief. 

Tuhog (Larger Than Life, Jeffrey Jeturian, 2001)

Skewered

Jeffrey Jeturian and Armando Lao’s Tuhog (Larger Than Life, 2001) is, simply put, a film about screwing-- about a mother being screwed, about her daughter being screwed, about their life's story being screwed over on the way to the big screen by an unscrupulous pair of softcore filmmakers

Sinners (Ryan Coogler, 2025)

The Devil Blues

The first forty minutes of Ryan Coogler's Sinners may be one of the best films of 2025. The rest? Not so much. 

'Merika (Gil Portes, 1984)

Alienated

Gil Portes' 'Merika (1984) opens the same way any ordinary life will usually open--in the morning, in bed. But Mila (Nora Aunor) can't seem to get out of bed; she can't seem to bring herself to touch the icy floor with her feet, or brave the chill air beyond her room. She has to sit there, shivering, her comforter wrapped around her like protective coating.