The film's opening minutes are stunning. Cinematographer Conrado Baltazar seems to take his cue from Vittorio Storaro's work in Apocalypse Now, capturing the vast seascapes and sensually textured sunsets of the Filipino countryside. A longboat glides down a river through thickets of mist (another callback to Storaro) while a narrator sketches details of the American Army's true-life attempt to capture President Emilio Aguinaldo.