tag:blogger.com,1999:blog-12690266.post976706369070207726..comments2024-03-24T20:15:00.996-04:00Comments on Critic After Dark: Lolita (Stanley Kubrick, 1962)Noel Verahttp://www.blogger.com/profile/05904212081036547668noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-12690266.post-52120046724485323542017-12-02T05:47:27.948-05:002017-12-02T05:47:27.948-05:00Sellers sounds like a dangerous person to know--un...Sellers sounds like a dangerous person to know--unless you want him to use your voice or accent in a movie. Noel Verahttps://www.blogger.com/profile/05904212081036547668noreply@blogger.comtag:blogger.com,1999:blog-12690266.post-62865993239352821672017-12-01T14:18:43.318-05:002017-12-01T14:18:43.318-05:00Excellent read-out.
I should like to point out th...Excellent read-out.<br /><br />I should like to point out that the American accent Sellers assumes for Quilty -- much praised by all -- came form a specific source: Jazz recording producer Norman Granz. Many ears before "Lolita" Sellers met Granz and was so taken by his vocal intonation that he asked Granz of he could "borrow" it for future use, as yet unspecified. Granz agreed, then when "Lolita" came his way Sellers utilized it. DavidEhrensteinhttps://www.blogger.com/profile/11016905507543736049noreply@blogger.com