Thursday, February 16, 2017

Split (M. Night Shyamalan, 2016)

Divided

M. Night Shyamalan's Split as of this writing has taken in some $115 million in the United States and $172 million worldwide, all the sweeter considering the minuscule $9 million production budget involved (mostly self-financed), the years of commercial failure and critical abuse the filmmaker suffered.

So Shyamalan's back in a big way, and the question on all our minds is this: what have we bought into/welcomed back/re-created this time, exactly?

Thursday, February 09, 2017

Resident Evil: The Final Chapter (Paul WS Anderson)

Lost in a Roman wilderness
 
Paul WS Anderson's Resident Evil: The Final Chapter begins on a suitably ominous note: Alice (Milla Jovovich) climbing out of a steaming underground exit, looking around, being chased by a vast winged monster while driving a recalcitrant humvee. Welcome, Alice (the name's hardly coincidental), out of the rabbit hole back not into reality but Wonderland. Things are a little different nowadays.

It's been fifteen years and six films so far, with a combined boxoffice of close to a billion dollars, arguably the most commercially successful video-game film adaptation ever. And the rare popular film franchise I might add that features a kickass female in the lead (with an ethnic-and-gender-diverse set of allies, while the villains are mostly privileged white males).


Thursday, February 02, 2017

Sundalong Kanin (Rice Soldiers, Janice O'Hara: 1980 - 2016)



(Belated tribute to Janice O'Hara, 1980 - 2016)

War games

To say Janice O'Hara's Sundalong Kanin (Rice Soldiers, 2014) is clumsy isn't I think a false or fatal flaw--it is clumsy. But it's also by story's end an engaging, suspenseful, even powerful film, fitting successor you might say to her late uncle Mario O'Hara's wartime classic Tatlong Taong Walang Diyos (Three Years Without God), which dealt in its own way with the moral ambiguities of war.